For those of you who haven't noticed the similarities in design between these two particularly speaker-shredding live albums, I give you Russell Haswell's 2nd Live Salvage and Swans' "Public Castration is a Good Idea..."
Yes, front cover of the original would have been pretty easy to approximate I think- since it's a text-only design. I doubt the people at Thirsty Ear would be the types to issue a cease and desist order over such an appropriation.
I'll still cede higher ground to Herr Haswell when it comes to sound though- like Swans of the period he's referencing, he seems to be going for a "make every track sound as if it is your last" kind of exhaustive approach that is pretty damned satisfying.
Thomas Bey William Bailey is a multi-disciplinary artist and cultural researcher, whose work has manifested itself as books, articles, music releases, sound installations, experimental radio shows, and completely undocumented or personal creative actions / interventions. He has lived and worked in Japan, Central Europe,and Chicago, struggling to overcome the psychic fatigue which is unique to our 21st century congestion culture. His work critiques and frames this culture by avoiding the obvious, easily perceptible middle ground and instead focusing on 'micro' and 'macro' aspects of lived experience in an information-saturated epoch. To this end, Bailey's work tends towards either 'atomizing' life (e.g. making recordings of asthmatic breath and incomprehensible sleep-talking, strobing videos limited to only a couple visual elements) or illuminating its hyper-complexity with intense noise, etc. It is a celebration of 'life before death' and a valuation of intimate exploratory nature above mass technological progress. Many of these ideas are further fleshed out in Bailey's first book-length survey of his influences and allies,"Micro Bionic", published 2009 on Creation Books.
2 comments:
I don't know why he didn't do the front cover too if he's going for the
whole replica thing... what could it be?
PUBLIC
CONFRONTATION
IS A
BAD
IDEA
Yes, front cover of the original would have been pretty easy to approximate I think- since it's a text-only design. I doubt the people at Thirsty Ear would be the types to issue a cease and desist order over such an appropriation.
I'll still cede higher ground to Herr Haswell when it comes to sound though- like Swans of the period he's referencing, he seems to be going for a "make every track sound as if it is your last" kind of exhaustive approach that is pretty damned satisfying.
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